10-lesson course · about 25 hours

Hand off the production coordination. Keep the picture.

For Designers, photographers, editors and creative producers using Adobe tools to develop, refine and deliver visual assets

Everything for Adobe creatives

Build and supervise a proactive agent in OpenAI Dots or Claude Duet that carries a small asset batch from intake to a delivery packet you can inspect, with every open decision brought back to you.

Try lesson 1 freeSee what you’ll learn

What you’ll be able to do

By the end, you can…

A method an agent can followWrite your production method as a manual with explicit inputs, steps, checks, stop conditions, approved connections, an agreed report, human review points and a way to pause or retire the work. Name the role, for example Production Desk, choose Dots or Claude Duet, and decide whether it runs once or as a continuing brief.
Intake that never guessesBuild an intake agent that gives every approved request an asset ID, a source from your supplied manifest and a permission status. A missing logo file pauses after one follow-up. A repeated request keeps its original ID and status. Unknown permission is never treated as approval.
Concepts tied to the approved briefRun a concept coordinator that turns an accepted brief into a limited queue of Firefly requests. Each request varies one choice and records its prompt, references and review criterion. Each concept gets a retain, correct or reject note, and the coordinator reports reference drift before later work depends on it.
Edit packets and revisions that keep the sourcePrepare Photoshop edit packets that name the source version, the areas to change and the details to preserve, along with a retouch instruction set, mask review notes and a layer manifest. Log every revision against its source, reject polished previews that have no working file behind them, and stop correction cycles that keep failing.
Variants that keep the compositionHave an agent build variant instructions from an approved delivery matrix, with export specs and a colour-profile register for screen and print. It flags a crop it can't solve, such as a vertical that can't hold the bottle and its reflection, and leaves cropping and visual quality to you.
One delivery review, one exception listCompile a delivery review that keeps visual acceptance, permissions and technical completeness as separate checks. Then test it with a file that has the right size and format but fails visually and has no working file, and confirm it gets blocked.

How it works

A tutor that meets you where you are

  1. Lessons at your levelThe ten lessons adapt to what you already know. If you're fluent in Photoshop but new to agents, the tutor spends its time on method manuals and stop conditions, not on layers and masks.
  2. An AI tutor you can ask anythingType your question or ask it out loud. The tutor helps you do the setup a trainer would do in a live class, for example drafting your method manual, checking your delivery matrix or working out why a test request got through.
  3. Hands-on builds with your own practice batchYou build and test the agents yourself in Dots or Claude Duet, using sample or cleared requests, a supplied asset manifest and a delivery matrix. Several lessons include deliberate failures: missing inputs, duplicates, drifted references and a rejected asset.
  4. Quizzes and flashcards for each lessonShort quizzes and flashcards tied to each lesson check the distinctions that matter, such as a technical pass versus visual acceptance, or a selection record versus art direction.
  5. Progress tracking and a certificateTrack your progress through the five modules and receive a certificate of completion when you finish.

Curriculum

The curriculum

Five modules follow one small production batch from start to finish: intake, concepts, Photoshop edits, variants and the delivery review. Each module ends with a test of what the agent should stop and send back to you.

Module 1Keep incoming production work organized.2 lessons

  1. 1Build the asset request queue
    • Explain how an agent that follows a written method differs from a recorded Photoshop action or script.
    • Write a production method manual with explicit inputs, steps, checks, stop conditions, approved connections, an agreed report, human review points and a way to pause or retire the work.
    • Choose Dots or Claude Duet, and choose a single run or a continuing brief, for a named role such as Production Desk.
    • Build an intake agent that assigns every approved request an asset ID, a source from the supplied manifest and a permission status.
  2. 2Handle incomplete or repeated inputs
    • Build stop conditions that pause a request after one follow-up when an input is missing.
    • Explain why a repeated request must keep its original asset ID and permission status.
    • Test the intake agent with deliberately incomplete, duplicate and replaced inputs and check its report.
    • Revise the method manual based on what the test exposed.

Module 2Keep exploration tied to the approved brief.2 lessons

  1. 3Prepare the concept queue
    • Build a concept coordinator that accepts only approved briefs and produces a bounded queue of Firefly requests.
    • Write concept requests that each vary one meaningful choice and record the prompt, references and review criterion.
    • Choose a limit on the number of concepts and explain why exploration should be finite.
  2. 4Track concept selection
    • Record a selection note (retain, correct or reject) for each returned concept with its reason.
    • Build rules that stop work on rejected routes and preserve the full decision history.
    • Test whether the coordinator detects and reports reference drift before later work depends on it.
    • Explain why the agent's record does not replace art direction.

Module 3Give each edit a precise instruction.2 lessons

  1. 5Prepare the edit packet
    • Build an edit packet that names the source version, the areas to change and the details to preserve.
    • Write a retouch instruction set, mask review notes and a layer manifest that a person or agent can follow without guessing.
    • Explain where the agent's work ends and your hands-on Photoshop step begins.
  2. 6Track revisions without losing the source
    • Build a revision log that connects each revision to its source version, edit packet and notes.
    • Test the coordinator with a polished preview that has no reviewable working file, and confirm it is rejected.
    • Choose a revision limit and build a stop condition for correction cycles that keep failing.

Module 4Prepare variants without losing the image.2 lessons

  1. 7Build the variant instructions
    • Build variant instructions from an approved delivery matrix, each tied to an approved source version.
    • Write export specs and a colour-profile register that cover both screen and print variants.
    • Test whether the agent flags a crop it cannot solve rather than resolving it itself.
  2. 8Check the returned variants
    • Build a technical check the agent runs on every returned variant: dimensions, format, colour profile, version and source link.
    • Inspect returned variants for composition and visual quality across the set, and record a decision for each.
    • Choose which items to rerun when one variant fails, and rerun only those.

Module 5Assemble a delivery packet you can inspect.2 lessons

  1. 9Compile the delivery review
    • Build a delivery review that joins brief, references, working files, exports and notes for each asset ID.
    • Explain why visual acceptance, permissions and technical completeness must stay separate checks.
    • Produce a delivery checklist and one exception list listing every blocked file and open decision.
  2. 10Test a rejected asset
    • Test the delivery review with an asset that passes technical checks but fails visually and has no working file.
    • Explain which check should catch each failure, and trace why if one is missed.
    • Choose whether to continue, pause or retire the agent work, and revise the method manual accordingly.

Who it’s for

Made for you if…

Made for: Designers, photographers, editors and creative producers using Adobe tools to develop, refine and deliver visual assets

Designers working alone or in small studios

Requests arrive with files missing and references that change halfway through. You want an agent to log and chase that work while you keep the design decisions.

Photographers and retouchers

Revision notes get separated from their source files, and a polished preview can hide a working file that isn't there. You want edit packets and a revision log that keep the source attached to every change.

Editors who deliver across formats

Size and format variants can meet the specs and still lose the composition. You want an agent that reads the delivery matrix and flags the crops it can't solve, so it doesn't quietly settle them for you.

Creative producers

You need one exception list that shows every blocked file and open decision before anything goes to the client, with permissions tracked separately from technical checks.

Questions

Good to know

What do I need to know before starting?

Working knowledge of Photoshop layers, masks and selections, plus at least one other Adobe tool you deliver in (Firefly, Illustrator, Premiere Pro or InDesign). You should be able to frame a visual brief that separates required elements, such as a product label, from optional ones, and to carry out and inspect one controlled generative edit, as taught in the Adobe Pro Intro.

Which tools and accounts do I need?

Access to OpenAI Dots or Claude Duet, and either a Firefly plan or a prepared set of example outputs. The course teaches Dots and Claude Duet as equal options, so you only need one.

Can I practise on real client work?

Use a small practice batch you're allowed to use: sample requests, a supplied asset manifest and a delivery matrix, with sample or cleared files. The course covers rights and consent for source images, and why confidential client assets stay out of cloud tools that haven't been approved.

Will the agent edit my images in Photoshop?

No. The agent prepares the work around the edit: the edit packet, revision notes and records. Supported connections can move records, but image editing stays an explicit step that you carry out wherever direct automation isn't available. Image decisions, cropping, visual quality and client delivery stay with you.

Is this about recorded Photoshop actions or scripting?

No. Lesson 1 explains how an agent that follows a written method differs from a recorded action or script. The course doesn't cover building custom integrations or code-level automation of Adobe apps.

What isn't covered?

Basic Photoshop, Firefly or Illustrator skills, running several agent teams on one shared production record (that's the Capstone), final creative release and client sign-off, Firefly Foundry and custom model training, accessibility checks such as alt text, and legal advice on copyright, training data or advertising law beyond the course's practical checks.

How long does it take?

About 25 hours across ten self-paced lessons. Your pace will depend on how long you spend building and testing the agents with your practice batch.

Adobe Pro AI Intensive: Proactive Agents for Asset Production

$397

One payment · lifetime access

  • 10 self-paced lessons in 5 modules, from asset intake to a delivery review you can inspect
  • Hands-on builds in OpenAI Dots or Claude Duet, using a practice batch you're allowed to use
  • Working outputs: method manual, retouch instruction set, mask review notes, layer manifest, export specs, colour-profile register and delivery checklist
  • An AI tutor you can ask anything, typed or out loud
  • Quizzes and flashcards for each lesson, plus progress tracking
  • Certificate of completion

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Refunds: Full refund if you ask before you open your first lesson. Once you’ve started, purchases aren’t refundable, except where the law gives you that right.

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